![]() For Hoplites! Greeks at War, for example, we drew on Greek history and vase iconography to create a story that reflected the key aspects of a soldier’s experience. Some of the animations are based on history rather than myth. Achilles is superior to Ajax, so Achilles wins the game, and Ajax doesn’t take losing well, so he gets upset and indignant. So, to create Clash of the Dicers, we drew on ancient myths about the two heroes to guide us in how the characters would behave to create a new story. For a scene such as Achilles and Ajax playing a board-game, there is no specific myth attached. How it develops from there depends on the project. ![]() S.N: The starting point is always the vase scene. The animations are an addition that can help make people more inclined to do that study by helping them to understand and enjoy it. M.K: Do you create your own stories or do you base them on Greek mythology? From there we began working on getting the movement right and on ways they could be beneficial in museums and beyond. The idea of working with vase scenes came to us and really began to explode the potential of what we were doing. So we decided to push the ancient-world animation concept further. Then I heard from teachers that some of them were showing the animations in school. I showed at a few student society events and they got a great response. Steve Simons – Panoply’s animator) and I started messing around making stop-motion ancient world stories with toy-figurines, just for fun. S.N: It was during my doctorate at University College Dublin. M.K: How did you come up with the concept of Panoply? Simons of the Panoply Vase Animation Project talks to greektv all about Panoply. Based on what we saw, the results should be spectacular.What if you could see the original artwork depicted on ancient Greek vases come alive in a series of animated pictures? Sonya Nevin, co-creator alongside with Steve K. That type of connection between car and the product of its inspiration has us wondering what the many designers walking around Las Vegas this week might come up with next. Meanwhile, the Mercedes-AMG Petronas Motorsport Speedcat Driving Shoes do that same swoop in a glistening turquoise sheen that looks lifted straight from Sir Lewis' F1 car. Things like color, texture, sheen, and shape.įor instance, the Scuderia Ferrari Speedcat Driving Shoes from Metal Energy feature a swoop of red that perfectly captures the Italian automaker's famous Rosso Corsa red in fabric. Ferrari, BMW M, Mercedes-AMG, and Porsche are all represented in Metal Energy, and each shoe takes the same sort of cues from those high-end automakers' products as we're seeing on so many other inspiring show cars at SEMA this year. We bring up shoes not by accident, but because we've recently encountered Metal Energy, a line of shoes and apparel from Puma that draws its own inspiration from famous automakers and the metallic finishing on their cars. The glint of a car's paint color could inspire the hue used on a running shoe just like the stitching pattern on a driver seat could inspire the same shoe's tongue design. After all, designers of one industry use the work of designers from another industry as inspiration all the time. ![]() ![]() After viewing our curated gallery of detail photos from SEMA, it's no surprise that automotive design is used as the inspiration for many other products in our lives.
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